Olympic figure skater Tomàs-Llorenç Guarino Sabaté has secured the rights to use the Minions theme in his upcoming Winter Olympic performance in Italy, following a massive social media outcry that pressured Universal Pictures to reverse a previous licensing denial.

A High-Stakes Licensing Hurdle
Guarino Sabaté, a 26-year-old decorated gold medalist, had spent the competitive season perfecting a routine featuring the iconic Minions soundtrack. The performance, which includes the skater wearing signature blue overalls and a yellow shirt, was set to be his centerpiece for the Winter Olympic Games beginning Friday, February 6. However, the skater revealed via Instagram that Universal Pictures had initially refused to clear the music for the televised event, jeopardizing his planned program.
“Finding this out last Friday, so close to the biggest competition of my life, was incredibly disappointing,” Guarino Sabaté stated. “Nevertheless, I will face this challenge head-on and do everything I can to make the best of the situation.”
Public Support Forces a Reversal
The routine, which balances high-level figure skating athleticism with playful, character-inspired choreography, quickly gained traction online. Fans and spectators rallied behind the skater, arguing that a corporate entity should not stifle artistic expression on one of the world’s most prominent athletic stages. The digital campaign proved effective, as the studio eventually opted to grant the necessary rights for the Olympic broadcast.
The Minions Are Olympic-Bound
Confirming the positive outcome in a follow-up social media update, the skater expressed gratitude to those who campaigned for the music’s clearance. “Huge THANK YOU to everyone who reposted, shared, and supported,” Guarino Sabaté wrote. “Because of you, Universal studios reconsidered and officially granted the rights for this one special occasion. I’m so happy to see that the minions hitting Olympic ice is becoming real again!!”
The swift resolution ensures that the whimsical routine will proceed as planned, marking a rare instance where public sentiment successfully influenced a major studio’s licensing policy for an international sporting event.
